An Inspector Calls
Notes
The drama centres around a group of characters in the same move. The theme is the effect of an individuals actions over a geological period of time, their individual and collective responsibility for their actions, and the consequences of them.
The consultation and the characters progress from ignorance to knowledge. The setting doesnt change - theres nothing to distract the audiences attention from the unfolding events.
It seems at first to be a straightforward detective thriller. We be introduced to for distributively one member of the Birling family and their guest, Gerald Croft, then the Inspector arrives with the word of the death by suicide of Eva Smith. As the involvement of each member of the family is established, the structure becomes a whodunnit with the Inspector unravelling the history of Eva Smith. The audience hear several revelations which lead them to coerce their own assumptions nigh who drove Eva to her death. The audience is left on tenterhooks at the finale of each act.
Because the Inspector seems to know everything, the characters are driven to make their confessions and the play becomes a modern morality play. It is possible to see each of the Birlings as guilty to various degrees of the Seven Deadly Sins (pride, sloth, covetousness, gluttony, envy, lustfulness and anger).
The play was popular with the public when it was shown, but some disarray arose over the character of Inspector Goole - was he a truly Detective Inspector or a hoaxer? Was he even the embodiment of the characters conscience? His knowledge makes it uncanny.
The play opens in 1912 and the family are celebrating in a self-satisfied way. Arthur Birling is rather portentous, Sybil his wife is rather cold, Sheila is very pleased with life, Eric is half-shy, half-assertive and Gerald is the...
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