Who’s Play Is This? Caesar’s, Or Brutus’?

The piece of cake Julius Caesar by William Shakespe ar was written about the conspiracy against and get rid of of Julius Caesar. However, the themes and the scenes of the play seemed to revolve less some Julius and more around a nonher of the plays main characters: Brutus, Caesars friend.

Although Caesar is a major element in the plot, hes not the main focus of the play. When considering actual presence on stage, Caesar comes up lacking. His murder is in the third of five acts in the play. He does not appear in two acts, and his bearing in the other three is minimal; this is unusual for a main character. The plot also excludes Caesar from the play. In the story, Julius is the one macrocosm conspired against. He is completely oblivious to the fancy that his friends may not all(a) be his friends, and that they may not be heart and soul with him gaining power. The conspiracy excogitateed completely behind his back, meaning the story could, and did, work around him. One more aspect was that he was a pitiful character. He bragged about how he made his decisions sagely and could not be influenced one way or another. He was resolute about going to the city to be crowned king, however, when Calpurnia asked him to stay home he did. Then Caius Ligarius convinced Caesar to go. With the elision of that scene and his murder, all of his other appearances were simply to advance the plot, not to develop any character.

In contrast, many an(prenominal) of the pivotal scenes of the play involve Brutus. His appearances in most of the plays scenes make it his play, rather than Caesars. He plays a crucial role in many of the scenes, particularly the important ones, like the murder and funeral. Some certain scenes are entirely about him, for example, his scene in which he debates whether he should join the conspiracy. His mental turmoil on how he deals with the idea of betraying his friend drives the plot. After joining the conspiracy he gravels visualise of its actions. While Calpurnia just acts as another ignored exemplar to Caesar, Portia adds more to Brutus character. A sense of marital difficulties presents itself, adding depth to Brutus appearance. Brutus had a more complex personality, which create further throughout the play. He started out as being naïve and idealistic, which later changed when he found out that not all the conspirators had the same motivations as he. Finally, we eventually se that Brutus is the tragic hero of the story. Caesar does not hurt a role like that: he is neither a hero nor a villain.



Brutus comes to us as being a hero because of his motivations to kill Caesar. Unlike the other conspirators, who want Caesar deadened out of jealousy, Brutus is concerned for Romes welfare. Brutus toiled over whether Caesar was destined to become a tyrant, or if he would become a good normal for Rome. Brutus became a tragic hero at the end of the play. He did what he thought, and very well could have been what, was right issue to do. In doing this, a war was started. Brutus and Cassius fought against Antony and Octavius Caesar, resulting in Brutus and Cassius losing the battle. The armies of Antony and Octavius were searching for Brutus to take him a prisoner. Knowing this, Brutus decided to kill himself and die with honor rather than being taken. This showed that Brutus character was becoming more developed all the way to the end of the play.

The themes and story of the play all had Caesar in mind, but it was being portrayed through Brutus record of view. Caesars character was two-dimensional and unchanging. Brutus character was complex, going through many changes throughout the five acts.

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