Redesigning Women: Television After the Network Era

In her book, Redesigning Women: Television After the meshing Era, Amanda Lotz explores the depiction of single effeminate characters on television and what she calls the refreshful cleaning lady. Published in 2006, Lotzs examination of the saucy muliebrity is defined by many a(prenominal) characteristics, including an emphasis on license, successfulness, and dating. Now, well-nigh ten years afterward Lotzs book was offset printing published, the vernal muliebrity rouse still be seen on television but with several(prenominal) notable evolutions. In late years, the TV serial Girls and huge urban center have premiered, free voice to a totally new new charwoman, whom I will call the newest woman. In my examination of the newest woman I will study the take flight episodes of both Broad City and Girls to explore the new and quondam(a) ways in which this newest woman has manifested. While this newest woman contends somewhat characteristics with Lotzs new woman, she appears to be even immatureer, more sexually enlightened, and struggling more full under the weight of her independence. In order to examine this transformation, I will be analyze and contrasting three proper(postnominal) aspects of Lotzs new woman to the newest woman found in Girls and Broad City: her flight or navigation of independence and her sexuality.\n saucily woman characters end-to-end television history mainly have been single girls, young women who seek jobs in the city prior to marriage (Lotz 88). The series Broad City and Girls share some similarities with this new woman: both shows center virtually a group of generally single women in their mid-twenties living in New York City. Thus, like Lotzs new woman, these single women also pursue lives within a metropolis setting. While unmarried, Lotzs new woman is depicted as a successfully strong-minded career woman in her early thirties (90). In both Girls and Broad City, however, the newest woman differs from the new...