Orson Welles Citizen Kane is a cleverly crafted movie told in a consequent of flashbacks telling the story of a man who manages to distance himself from everyone he interjects into contact with. Throughout the film Welles uses mise-en-scene and cinematography two deliberately and subconsciously to point things out and foreshadow things to educe to the audience. Specifically the relationship of Susan and Kane can be used as an example. In the scenes involving Susan and Kane many cinematic effects be used. Among them be Kanes dominance and control over Susan, and the way Kane exhibits love as power. Specifically, however we can point to the series of events in which Susan and Kane be at Xandu prior to their breakup. Beginning with the scene directly following(a) Susans self-destruction attempt and concluding with the scene of Susan slapping Kane we see a masterfully crafted epoch that sharply depicts their relationship and Kanes personality. Here we overhear a perf ect example of how deliberately to date discreetly we ar given the signal of things to come; the slow yet strong decline of their marriage.
The duration and decline of Susan and Kanes relationship is render in a series of scenes in a sequence that begins immediately following Susans suicide attempt with a thaw into outdoor chilliness of the monumental, ominous, evil looking, fog shadowed Xanadu followed by the interior of the parlor inside Xanadu and then the close up shot of Susans hand working a jigsaw puzzle. In these unsophisticated shots, we are told rapidly and concisely that the marriage is failing . The massive Xanadu represents the incompl! eteness of the relationship between Susan and Kane; its followed by the luxurious inside, by candidate representing the potential passion or love. The close up of the tremendous jigsaw puzzle with Susans hand putting in the pieces... If you penury to get a full essay, order it on our website:
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